
So, in my attempt to re-read each and every Doctor Who book in my cavernous library, we now come to...oh, wait...I just had it...where is the damn thing...there's my current issue of Iron Fist, there's that dinosaur book I'm reading, oh, there's the little bugger: the Target novelization of The Leisure Hive!
While many Who fans may spit and howl at the following blasphemy, I've never been terribly fond of The Leisure Hive. Sure, there were parts that I liked--Tom Baker, Lalla Ward in a schoolgirl outfit, and the climactic scene where the Doctor is apparently pulled apart like a puppet in the Tachyon Generator--but it was never a storyline that left me hopping up and down in glee at the mere mention of it. But howzabout the trusty novelization? Maybe I'd like that better!
And I do--only because it's a completely different story. Well, not entirely different, but enough to make you wonder what issues writer David Fisher (writing both the Target novel and the episodes) had over the production of his story. Because, you see, the first part of the novel?
Bugfuck. Absolutely bugfuck.
Fisher here opts for a very Douglas Adams approach to his story, with scenes that seem more Pythonesque than solid science fiction. In giving the history of the Argolins and the Foamasi, Fisher is simply unbound by budgetary constraints and, apparently, editorial interference. Be it the overly aggressive Argolins and their psychotic need for violence or the shady criminality of the Foamasi, Fisher writes like a train that has left its tracks way behind. When he finally ties the narrative down to what actually appeared on the screen back in 1980, much of the fun seeps out. It's like Teacher returned to the room after a great game of spitballs, and now it's time to get to the Serious Work.
To his credit, Fisher amps up the gore in scenes involving the Tachyon Generator ( a machine that is supposed to make a quantum copy of yourself, so you can pull it apart if that turns you on--but when it screws up, there tends to be tons of blood and screaming, because if Doctor Who has taught me anything, it's that being pulled apart isn't good for you. (Thanks, Doctor!)
What I did like here was that the Doctor is taken out of the story for awhile (being aged to an old man courtesy of that pesky Generator), leaving Romana to handle the hero bit for awhile. Wasn't Lalla Ward gorgeous back then? I mean, she's still gorgeous, but now in more of a cozying up on the couch with a glass of wine sort of way. Back in the day, she was gorgeous in that dancing crazily to Joy Division whilst wearing a straw hat sort of way. Sigh. Stupid Time, making us older and more prone to coziness...
Oh, right, The Leisure Hive. When I first watched this, I was freaked out by the gems falling out of the Argolins' hair when they're about to die. It seemed so embarrassing and horrifying at the same time, like peeing yourself when you have a heart attack. I thought it was tied into the Argolin biology, but Fisher sets me straight in the novel: it's just jewelery falling out. Nothing more. Which I think isn't as creepy, but maybe you do.
So all in all, I prefer the book to the show, if only for the sheer fun of the opening pages. In fact, the only thing Hive has going for it on the small screen is Romana. Oh, and Tom Baker finally wearing make up, hiding all the effects of the nights down at the Groucho Club. Oh, right, and the loss of that stupid Randomizer in the TARDIS. Like the damned thing ever flew where it was supposed to, anyway...






