
DOCTOR WHO: The Lazarus Experiment
Starring: David Tennant, Agyema Freeman, Mark Gatiss
Written by Stephen Greenhorn
Directed by Richard Clark
The first trailer I saw of The Lazarus Experiment–-which showed some old coot going on about living forever or some such–-made me think Peter Davison had returned to the show. Imagine my surprise when I discovered the geriatric in question was not Mr. Davison, but was Mark Gatiss in Old Man Makeup (you know the sort–doughy latex piled on doughy latex that suggests aging implies you grow pancakes on your face). And I thought: surely Davison would have worked cheaper? And couldn’t they have saved tons on makeup?
Coming after the rather tedious–-and apparently annual--Dalek borefest that was Daleks in Manhattan and Evolution of the Daleks, The Lazarus Experiment arrives like a breath of creative fresh air.
Clearly, Lazarus doesn’t break any new ground. Any long time viewer of DOCTOR WHO will wonder if this episode didn’t somehow manage to crawl out of the slush pile from the Pertwee era, live rough on the streets of London for thirty years, before hitchhiking to Wales, bribing the security guards, and then managing to position itself beside RTD’s morning cappuccino. The main theme of Lazarus–that man’s desire to pervert the natural order of things to make a buck or other more esoteric forms of greed–would be well at home in the early, still-hippie Seventies. The setting–-a mysterious scientific corporation filled with whacked out gadgetry (a spinning machine that makes you young!), as well as other London environs-–almost feels incomplete without Bessie screaming to a stop at some point in the story.
Yet Lazarus succeeds because it not only embraces the Mad Scientist story mold, but brings it up to date. There isn’t that feeling of ‘Hey man, Earth power, man’ seen in Seventies Who, but a tired despair at corporate greed. With global warming, waste of natural resources, and ongoing pollution, what else can corporations mess up? You’d be surprised. Yes, we’ve walked this ground before, but instead of feeling tired and faux nostalgic, it feels both new, exciting and just goofy enough to make us smile.
New? At this point, we’re still getting used to Martha as the new companion, and in this episode we again see how different she is from Rose. When Professor Lazarus outlines his plans, Martha is quick to see how horrible its success would be for the human race. When the inevitable monster begins causing the inevitable havoc, Martha deals out medical assistance, illuminating that there are now two Doctors in the TARDIS. We learn more about Martha’s family–whereas Rose’s family at one end of the financial spectrum, we see that Martha is at the other, far distant end. Yet her mother’s feelings for the Doctor indicate she and Jackie Tyler would probably have a good natter about our favourite Time Lord over tea.
And perhaps most importantly–for this sad fan–Martha lets her hair down and wears a quite fetching party dress. Sure, she’s a strong character whose intelligence is only rivaled by that of Pertwee companion Liz Shaw, but damn! She looks fine!
Sad middle aged maleness aside, it’s this episode that (in my mind) cemented Martha as part of the Who mythos. She belongs now. Let the fan fiction begin!
Exciting? While this self contained episode never really lets us think anything too terribly drastic will happen to the Doctor and Martha, there is still that tried and true Who feeling of panic as the Doctor races from newfound idea to computer console and back again to save the day. The monster scenes–which make use of some fairly enjoyable special effects, camera angles and filters to give an idea of the creature’s POV–are well shot. Yes, it’s our beloved Corridor Chase again, but running on the ceiling was a nice touch. Martha even adds to the excitement herself by taking a much more decisive action against said monster in the show’s finale. Sure, Rose would have done the same, but would have Nyssa? Not on your life. She’d get her velour suit all dirty.
Now for my favourite: the goofy.
The monster of the piece– a sort of scorpion like thing the size of a small tank, whose origin will have you looking uncomfortably in the mirror for a few days–apparently can ignore the physical law of conservation of mass. This was particularly amusing since the Doctor–who natters on about other more pseudo-scientific concerns and/or bafflegab–misses this one completely. (Although he does notice the need for energy replacement in the monster, evidenced by a certain someone pigging out on ‘nibbles’. Methinks the Doctor is wearing narrative blinders again.)
The victims of the scorpion monster seem to be a nod to the SPACE 1999 episode Dragon’s Domain–easily one of the creepiest episodes of any show ever. Sure, the corpses here don’t skitter across the floor, but the end result seems the same.
Upon having to wear a tuxedo to Professor Lazarus wingding, the Doctor moans, “Whenever I wear this, something bad always happens.” Nice to see the Doctor feels the same way I do about Rise of the Cybermen.
In an escape from one of Professor Lazarus’s spinning gadgets, the Doctor must (ahem) ‘reverse the polarity’. (Anyone who still disputes that The Lazarus Experiment is not a Pertwee homage, please sit down.) When it takes a little longer than expected, the Doctor complains that he must be out of practice. Heh.
With so much going for it, it’s unfortunate that the final showdown between the Doctor and Lazarus seems like the story went to the well once too often. Having had one fairly decent ending, the classic trope of the resurrected killer card is played, with all the narrative tension that usually brings. This is saved only by the Doctor speechifying about time and lives lived that came across as oddly poignant. But hey–I turn 42 this year, so anything to do dwindling time and imminent death seems poignant to me.
All in all, The Lazarus Experiment is solid Who: we have monsters, we have improbable science, we have a beautiful companion, and we have a deep urge to know what happens next. And there wasn’t a Dalek in sight. Can’t ask for more than that.






