Avengers...Umm..Get Together! No, That's Not It....
But first....Avengers Rock It! (No, that's not it, either.)
THE NEW AVENGERS #17
"The Collective, Part Two"
Roll Call: Captain America, Wolverine, Spider-Man, Spider-Woman, Iron Man, the Sentry, Ms. Marvel, Luke Cage--Power Man!
This is the second part of what promises to be another world threatening type threat sort of thing. (I mean, I know it's the Avengers, but I was really grooving when they were just fighting ninjas in Tokyo a few months ago. I'm not in the mood for yet another glowy-eye Thing From Space story.) The latest horror from space has landed, and torn across Canada, killed Alpha Flight, and now it's up to the Avengers to save Cleveland. And by saving Cleveland, save us all.
I liked the bit at the beginning of the book, unconnected to the Collective threat. Apparently as a condition of his joining the Avengers, Luke Cage wanted things to be done differently. One of those differences is that on 'off-days' (apparently, the Avengers aren't allowed weekends), the team will go to a rough neighbourhood and scare the shit out of criminals--just by standing there. This time, they go to Detroit. I liked it. Nice Bendis writing, nice juxtatposition of the heroes with everyday people just trying to get by. So when the Collective threat arises, I just felt cheated.
So it wasn't bad, all in all--Deodato's art is a change from Finch's, but I can get used to it. (But why does Tony Stark seem to be standing in a control room when he''s in his Iron Man suit? Did I miss something?) Bendis takes Sentry (Marvel's answer to Superman) out of the story, and I'm not complaining. I think the character is just a dead end.
Oh, and Spidey wore his new red suit. Which I thought was a move up from the old black one, not being alien and all.
CAPTAIN AMERICA #16
"Collision Courses, Part One' (Brubaker/Perkins)
This story comes in after the superb Winter Soldier story, and there's the feeling that Brubaker has toned the action down a bit. But when a story starts with serial killers blowing away innocent bystanders in Kansas, I'm not sure that qualifies as 'toned down'.
The killers in question are Crossbones (he wears a skull ski mask, perhaps to remind himself what his crap name is in the morning) and Sin ( who looks like a stripper and just happens to be the Red Skull's daughter, which you would think would guarantee her a better catch than Crossbones. But maybe she's bad!). So Cap and SHIELD agent Sharon Carter head into the Mid-West to try and head them off. Which was my first problem with the book--if serial killers are slaughtering as many people as Crossbones and Skanky Sin, then wouldn't the F.B.I. or even the Army get involved? It just felt like Cap and Sharon were, y'know, just going to kinda wander out and take a boo.
Cap wonders about Bucky, why he hasn't sent a postcard, or even set up a MySpace account. (Okay, I made up the last two.) While checking out a small town, it turns out that Bucky had already been there and fought a robot. Which I didn't know were a problem in small towns. Or maybe only the small towns Bucky doesn't visit. This makes Cap so happy that he takes Sharon to bed. Which is kinda disturbing--he hears his 'son' is alive, so he bangs the hot secret agent beside him. Okay, now I understand. He was just looking for an excuse. I mean, Sharon is hot.
The story also involves AIM, who have to be the worst Marvel terrorist group ever: they look like beekeepers gone bad. So any story that features AIM is in trouble with me. Brubaker spins his magic with the dialogue, and the pre-bed chatter between Cap and Sharon rang true. The small town stuff--where you know things aren't as they seem, because they were burning Mayberry R.F.D tapes in the village square--okay, no they weren't, but they should have. So, yeah, a decent issue, but not the thrill ride we've seen in the past few months. Perhaps I would have liked it better if when Sharon jumps out of bed with her gun, she wasn't wearing a negligee. Because, honestly, Sharon don't do lace. She's hardcore. Everyone knows that.





